Willy Paul Criticizes Kenyan Audio Producers’ Professionalism

Willy Paul, one of Kenya’s most controversial and celebrated singer, recently sparked controversy by expressing his frustrations with the professionalism of Kenyan producers.

Known for his genre-blending style and ability to drop hit after hit, Willy Paul’s comments have stirred conversations in the Kenyan music industry, shedding light on the quality and dedication of local producers.

Despite his criticisms, several talented producers have contributed significantly to Willy Paul’s successful catalog, producing some of his most memorable tracks.

“Sitolia” – Produced by Teddy B

One of Willy Paul’s breakout tracks, “Sitolia,” featured gospel artist Gloria Muliro and resonated with audiences across Kenya and beyond. The track was produced by Teddy B, a name often associated with gospel music hits in Kenya.

Teddy B’s work on “Sitolia” captured the raw emotion and depth that made the song an instant classic, propelling Willy Paul into the limelight.

“Fanya” – Produced by Saldido Records

Willy Paul later transitioned into secular music, with songs like “Fanya” marking his shift in style and branding.

Produced under his own label, Saldido Records, “Fanya” showcased Willy Paul’s versatility and willingness to experiment with new sounds.

By taking charge of production, he highlighted the importance of having control over one’s music, a likely influence behind his critique of local producers.

“Jigi Jigi” – Produced by Teddy B

Returning to Teddy B, Willy Paul collaborated with the seasoned producer on the Afrobeat-inspired hit “Jigi Jigi.”

This catchy love song captured the hearts of Kenyan fans and became one of Willy Paul’s signature tracks.

Teddy B’s ability to adapt to the new sound proved his professionalism and skill, and the collaboration once again brought Willy Paul commercial success.

“Hallelujah” – Produced by Yo Alex and Teddy B

In “Hallelujah,” a collaboration with Tanzanian star Nandy, Willy Paul moved into a more pan-African sound.

The song was produced by Yo Alex, with Teddy B also contributing to the arrangement.

Their work on the track gave Willy Paul the sound quality needed to compete regionally and internationally, proving that when matched with skilled producers, he can create work that resonates across borders.

“Mmmh” – Produced by Ihaji

Produced by Ihaji, “Mmmh” was another collaborative success for Willy Paul, this time with Tanzanian artist Rayvanny.

Ihaji’s production was slick, clean, and perfectly tuned to suit both artists’ vocal strengths. The song showcased the benefits of working with experienced producers who bring professionalism and skill to the table.

“I Do” – Produced by Teddy B

The romantic duet “I Do” with Jamaican artist Alaine took Willy Paul’s music to an international level.

Once again, Teddy B was behind the boards, providing a lush and polished soundscape that allowed the song to stand out both locally and internationally.

Teddy B’s consistent contributions to Willy Paul’s career highlight the value of professionalism in production.

“Njiwa” – Produced by Saldido Records

With “Njiwa,” featuring Nandy, Willy Paul continued to use in-house resources from Saldido Records, demonstrating his desire to maintain more control over his music production.

While he has voiced his frustrations with the industry, Willy Paul has also taken proactive steps by developing his label to foster professionalism and creative freedom.

The Complex Relationship Between Artists and Producers

Willy Paul’s remarks about Kenyan audio producers underscore an ongoing struggle many artists face.

While Kenya has talented producers, challenges like inadequate resources, limited experience, and inconsistent professionalism can limit the potential of local music production.

Willy Paul’s decision to develop Saldido Records could be seen as a move towards greater control over his craft. Yet, his history with producers like Teddy B, Yo Alex, and Ihaji also highlights the success that can be achieved through strong partnerships.

As the Kenyan music industry continues to grow, Willy Paul’s comments serve as a reminder of the importance of quality production.

When professionalism and skill align, as seen in some of his most popular hits, the results can be transformative.

Whether or not Willy Paul’s critique will inspire change among Kenyan producers remains to be seen, but it undoubtedly adds to the ongoing dialogue about raising industry standards and creaitng music that resonates far beyond Kenya’s borders.